![]() More than being a fun, brutal ride, Drag Me to Hell proves that a rating can't always effectively measure how scary a movie is going to be. It's a terrifying and bleak moment that feels perfect for an R-rated horror movie, yet its actual contents don't really need to lean past a PG-13. Given Drag Me to Hell's ending, it's going to be interesting to see how Raimi intends to follow up his original film. This scene has the atmosphere, fun Raimi camerawork, gross-out gags, and dedicated performances that make Drag Me to Hell such a great horror ride. The nastiest moment of all comes next, but it's better to see than read, so if you haven't checked it out yet, go fire Drag Me to Hell up. Her face collides with the dash and sends her false teeth skyrocketing. Things get real when Brown drives her car into another, rocketing Ganush up into the front seat. Raimi is such a killer director that he even knows how to make banks, diners, and parking garages, in particular, feel nightmarish. This movie has a number of awesome eerie settings, even ones that you wouldn't initially expect to be creepy. Much like the Evil Dead cabin, Brown's big, empty, fog-swamped house has many rooms and corners that Ganush and supernatural forces could be hiding in. A movie can feel funny, intense, terrifying, or exciting, but it all depends on its atmosphere - and at the cost of nothing, at least in terms of ratings! Of course, a giant, cobwebbed mansion is easy to make creepy, especially when the film sets two séances in it. Atmosphere, more than anything, affects a film's mood. Raimi is one of the supreme horror filmmakers for being able to provide those elements to his works, but he's most underrated as an atmospheric filmmaker. It's brutal.ĭrag Me to Hell is not just a fun and effective horror movie because of its fast-paced editing, grossness, or the fact that it's led by a compelling villain. ![]() Raimi gives you a real feeling of security at the beginning of this final scene, only to savagely rip it away from you and fulfill the film's title. You won't find a meaner ending than this anywhere, folks. A train speeds over the scene, so all Dalton can do is watch. Christine then falls onto the train tracks, where the ground opens up into a pit of fire, with hands reaching out and dragging her burning body down to hell. Just when we think Dalton (Long) is about to propose to her at a train station, we realize that they never actually lifted the curse. We're rooting for her the entire movie, and eventually, she seems to have ridden herself of this curse. She's down on her luck at work, can't win over her boyfriend's parents, and on top of all of that, now she has this supernatural curse ruining her life (and possibly her afterlife). Ganush is the ultimate antagonist, Christine is the best kind of sympathetic protagonist. If you haven't seen Drag Me to Hell yet, then seriously, you don't want to know what happens. This all culminates in one of the bleakest endings that you'll find in any horror movie. 20 years later, Raimi proved that he could jam-pack a movie full of thrills and chills, even while rocking a PG-13 rating. Regardless of the original X rating that it was slapped with, Evil Dead II still proves that a film can be hilarious, no matter what its rating may indicate. ![]() ![]() Upon release, that movie won itself an X rating (and has since been rated R) due to its excessive violence. For every scare that movie throws at you, the next second it provides a laugh. Evil Dead II, in particular, is about as frightening as it is funny. These movies all pushed the boundaries of what was allowed to be shown on screen, with excessive amounts of blood and gore filling just about every frame. By 2009, He had become best known for his Spider-Man trilogy, but what originally put him on the map in the first place was his original three Evil Dead films. Sam Raimi is a filmmaker all too familiar with putting scares to film. Writers Sam Raimi, Ivan Raimi Sam Raimi's Is One of Horror's Greatest Filmmakers
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